In a previous post, I talked about how to identify--and how to deal with--the people in your lives who suck away all your energy and leave you feeling wiped out and utterly drained. I refer to them as black holes.
But in your quest to live your life more consciously, more joyously and more honestly, you may find yourself dealing with people who are not quite black holes, but who may be a negative force in your life nevertheless. The question becomes: What to do with them?
If you think of loyalty as one of the highest virtues, as I do, it can be extremely difficult to know when or if to cut ties with a friend or acquaintance, especially if they've been in your life for a very long time.
I've been struggling with this as of late, as people who have been friends for a long time have been behaving in ways that are draining, inconsiderate and sometimes downright hurtful. If these people were behaving this way with direct malice or awareness of what they were doing, the answer would be fairly easy: you can cut ties with someone who is trying to hurt you. That's a no-brainer.
What's not so easy is when someone you care about is totally oblivious to the pain they've been causing you. For some of these people, confrontation is an option. You can initiate a discussion with them, where you ask them why they're behaving in a certain way and get an honest conversation going where you get things aired out and figure out how to get back into harmony.
If you think you can do this, I'd definitely try that approach first.
If, however, you find yourself trying to gently broach the subject of what's going on in your friendship and are quickly met with stonewalling, defensiveness, even anger--well, the chances of salvaging things go down.
If you are able to completely cut ties, this might be an option. Just do it. Move on. However, if, like me, you hold out glimmers of hope that your friend will wake up to their bad behavior and be open to improving your relationship, cutting ties doesn't feel like an option.
What I've realized recently is that when you can't talk to a friend about problems in your friendship, the only thing that will work is for them to come to you. And the only way to make that happen is to make new friends, and move on without cutting ties.
You might still be able to respond and be polite, but you will need more distance to protect yourself, and your boundaries will need to be much clearer. As you begin to spend more time with other people, your older friends may miss you. If they don't, well, what's the loss there, really?
If they do miss you, however, and you pick up on that, you can begin to ease back into conversation about your friendship. See if they've softened their defenses. See if they actually, actively want to be your friend.
My husband and I were both raised to be incredibly loyal, devoted people. Yes, we're busy, but when someone expects us to be there, we do our damnedest to be there. I think we are sometimes shocked by how few people feel this way.
I think it's harder than ever to find people who are loyal and honest and open, but since they must be out there, we'll just keep looking. If you can honestly assess yourself and say, "Yes, I'm a good friend" and yet your friends are flakes who constantly let you down or betray your trust, I exhort you to do the same. Again, none of this is easy, but having a few good, trustworthy and dependable friends is essential. None of us can go it alone in this world, so find your shipmates, and don't hesitate to leave the flaky ones behind. When the weather gets rough, you'll be glad to have spent the energy on this search.
Wednesday, November 11, 2009
Thursday, November 5, 2009
When Telling Stories Causes Suffering
One of the ways you cause yourself suffering is by making up a story. What do I mean by this?
Let's say you have a friend whom you've invited to a party, and she says she can't make it. Maybe she gives an excuse, maybe not.
Whatever she says or doesn't say, you can cause needless suffering by telling yourself a story. "She doesn't want to come because the last time I saw her I made a political comment she didn't like, and now she likes me less. Or maybe it's because she's upset that I didn't call her back that one weekend when she invited me to see a movie. Or, maybe she just finds me boring and doesn't want to spend a Saturday night hanging out with me."
Whatever. You could go on and on. And because people do behave according to some internal motive, it's possible that any of the above reasons are the ones she doesn't attend the party with you. But without asking her point blank, it's impossible to know for certain the reason why. All of the stories you've told yourself are pure conjecture, and none of them might be true. It could be that her grandma died. Or she has swine flu. Or she is having one of those weekends where she wants to sit on the couch and read a huge book she's been meaning to get to.
The point is, you cannot know. But in the meantime, what are you doing with the stories you're telling yourself? Causing needless suffering for yourself. Feeling hurt and depressed. Wondering what's wrong with you.
None of these things are useful. If you truly fear that something is wrong between you, don't make up stories. Uncover the truth. If you've been a bad friend, she'll tell you. (And if she can't talk to you, or she changes the subject, then you've learned something about the nature of your relationship, which you can then utilize later to make a decision about how to proceed.)
This story-telling can cause problems anywhere in life. Before I began practicing yoga and tai chi, I had developed a pretty bad case of runner's knee, especially after I completed a rigorous training schedule for a marathon. Even after the marathon ended, the pain went on and on--not just for months, for years. I ran through it, it would flare up, I'd rest, and it would feel better. Then I'd run again, and voila, back to the pain. The pain was just pain. But the suffering came in when I would tell myself that I'd never run again or that I had permanently damaged my body or that I'd get fat like that health teacher I had in high school who told us she'd injured her hamstring and had never been able to be physically active again.
Every time the pain would flare up, I'd tell myself these stories. I'd grow sad and frustrated and angry.
Though I didn't know it at the time, yoga and tai chi would heal my knees completely and I'd be able to run again. None of the stories I'd told myself turned out to be true. I believed those stories at the time, though, and suffered more than I would have just by feeling the pain.
So, what stories are you telling yourself? Are they true? If you think they are, do you know they are? Really, do you?
In yoga, I've learned that feeling discomfort can be observed without any narrative. I can just feel, just be, and the burn in my legs just is. I can become detached and observant, like a Buddhist monk. (Well, maybe I get close, anyway.)
The next time you hear yourself making up stories about why something is, or how something will be in the future, stop yourself. Ask yourself if you have any basis for the story. If not, take a deep breath and clear your mind. Just be. Just feel. No thoughts. No judgment. No stories.
Less suffering.
Let's say you have a friend whom you've invited to a party, and she says she can't make it. Maybe she gives an excuse, maybe not.
Whatever she says or doesn't say, you can cause needless suffering by telling yourself a story. "She doesn't want to come because the last time I saw her I made a political comment she didn't like, and now she likes me less. Or maybe it's because she's upset that I didn't call her back that one weekend when she invited me to see a movie. Or, maybe she just finds me boring and doesn't want to spend a Saturday night hanging out with me."
Whatever. You could go on and on. And because people do behave according to some internal motive, it's possible that any of the above reasons are the ones she doesn't attend the party with you. But without asking her point blank, it's impossible to know for certain the reason why. All of the stories you've told yourself are pure conjecture, and none of them might be true. It could be that her grandma died. Or she has swine flu. Or she is having one of those weekends where she wants to sit on the couch and read a huge book she's been meaning to get to.
The point is, you cannot know. But in the meantime, what are you doing with the stories you're telling yourself? Causing needless suffering for yourself. Feeling hurt and depressed. Wondering what's wrong with you.
None of these things are useful. If you truly fear that something is wrong between you, don't make up stories. Uncover the truth. If you've been a bad friend, she'll tell you. (And if she can't talk to you, or she changes the subject, then you've learned something about the nature of your relationship, which you can then utilize later to make a decision about how to proceed.)
This story-telling can cause problems anywhere in life. Before I began practicing yoga and tai chi, I had developed a pretty bad case of runner's knee, especially after I completed a rigorous training schedule for a marathon. Even after the marathon ended, the pain went on and on--not just for months, for years. I ran through it, it would flare up, I'd rest, and it would feel better. Then I'd run again, and voila, back to the pain. The pain was just pain. But the suffering came in when I would tell myself that I'd never run again or that I had permanently damaged my body or that I'd get fat like that health teacher I had in high school who told us she'd injured her hamstring and had never been able to be physically active again.
Every time the pain would flare up, I'd tell myself these stories. I'd grow sad and frustrated and angry.
Though I didn't know it at the time, yoga and tai chi would heal my knees completely and I'd be able to run again. None of the stories I'd told myself turned out to be true. I believed those stories at the time, though, and suffered more than I would have just by feeling the pain.
So, what stories are you telling yourself? Are they true? If you think they are, do you know they are? Really, do you?
In yoga, I've learned that feeling discomfort can be observed without any narrative. I can just feel, just be, and the burn in my legs just is. I can become detached and observant, like a Buddhist monk. (Well, maybe I get close, anyway.)
The next time you hear yourself making up stories about why something is, or how something will be in the future, stop yourself. Ask yourself if you have any basis for the story. If not, take a deep breath and clear your mind. Just be. Just feel. No thoughts. No judgment. No stories.
Less suffering.
Monday, November 2, 2009
Flight Level 390
Wow, I totally missed October, didn't I? Ah well, I'm back for the beginning of November, anyway, and ready to type.
Lately I've actually been wondering if it's time for me to move on from this blog and start a new project. I don't know what the answer is yet--and feel free to send me your vote--but the reason is that I am so much happier in my current career that I don't feel nearly as compelled to write about how to escape a bad job or life situation.
That's pretty self-centered of me, isn't it? I'm happy, so why worry about all the people who are in the position I was in only a year or so ago? Well, trust me, I still care, but I lack the immediate experience of misery as a motivation.
I still believe strongly in working out what you are suited for and how to follow a path that is the truest and best and most authentic one for you, but lately my ideas have gone beyond the workplace and career.
Still, I don't want to wander aimlessly and drift about, writing abstract, meandering posts about all the big philosophical and societal stuff that interests me, because then this would just be a navel-gazing blog and all about me, rather than about the reader's experience.
Recently, I discovered a blog that has totally captivated me. It's called Flight Level 390 and I can't tell you how amazing I find it. It's written by an airline captain, and it is the most compelling writing I've read in a long time, in either web or print. I have no idea if others will find it as interesting, especially as I am biased toward aviation topics (my dad was a pilot), but he's doing something here that I think is maximizing the potential of a blog. He's capturing something real, but distilling it into something beautiful and breathtaking. I guess I'd like to make sure my blog is doing something as fresh and as real, or otherwise, what's the point?
Anyway, I'd love to hear from you. What's on your mind? What do you think--what do you want from this blog? Is it time for me to move on? What do you still want to think about, talk about? Where does the topic of bliss finding rank for you these days?
I'm all ears, because I believe in listening. So talk to me, and trust me, you will be heard.
Lately I've actually been wondering if it's time for me to move on from this blog and start a new project. I don't know what the answer is yet--and feel free to send me your vote--but the reason is that I am so much happier in my current career that I don't feel nearly as compelled to write about how to escape a bad job or life situation.
That's pretty self-centered of me, isn't it? I'm happy, so why worry about all the people who are in the position I was in only a year or so ago? Well, trust me, I still care, but I lack the immediate experience of misery as a motivation.
I still believe strongly in working out what you are suited for and how to follow a path that is the truest and best and most authentic one for you, but lately my ideas have gone beyond the workplace and career.
Still, I don't want to wander aimlessly and drift about, writing abstract, meandering posts about all the big philosophical and societal stuff that interests me, because then this would just be a navel-gazing blog and all about me, rather than about the reader's experience.
Recently, I discovered a blog that has totally captivated me. It's called Flight Level 390 and I can't tell you how amazing I find it. It's written by an airline captain, and it is the most compelling writing I've read in a long time, in either web or print. I have no idea if others will find it as interesting, especially as I am biased toward aviation topics (my dad was a pilot), but he's doing something here that I think is maximizing the potential of a blog. He's capturing something real, but distilling it into something beautiful and breathtaking. I guess I'd like to make sure my blog is doing something as fresh and as real, or otherwise, what's the point?
Anyway, I'd love to hear from you. What's on your mind? What do you think--what do you want from this blog? Is it time for me to move on? What do you still want to think about, talk about? Where does the topic of bliss finding rank for you these days?
I'm all ears, because I believe in listening. So talk to me, and trust me, you will be heard.
Wednesday, September 30, 2009
Do Good Work
As promised (though a little late), I have a few words to add on the subject of Mike Rowe's talk.
First of all, I couldn't agree more with his assertion that in our culture, generally speaking, work--real, hard work--is denigrated. As he says, it's explicit and implicit: in the way we're taught to think about work, the way advertising is always promising us ways to escape from work, and the get-rich quick mentality that infects the culture from the top to the bottom.
However, I think that it's not entirely fair to blame workers for feeling this way. Much of the time, workers come to a job ready to do their best, work their asses off, and feel the satisfaction of a job well done, whatever the job. However, where things go awry is when the worker is not allowed to do his job. I suppose it's true that there's some number of people who can't be trusted, but rather than micromanaging them, I say, fire them. They'll figure it out faster that way. And besides, the vast majority of people want to do a good job, and want to work hard. So there are a few bad apples? Why make life miserable for everyone else?
And yet, this is what happens. And so good, hard-working people find themselves in jobs that are controlled from three management levels above them, by people who have no inkling of what the details of the job really are.
Much like Mike Rowe's anecdote about the animal rights people in an office somewhere dictating how a lamb should be castrated.
That's why I think Mike Rowe has found that the people who do the dirty jobs are generally the happiest. They are generally allowed to do their jobs without a lot of interference or second-guessing. They are trusted to do their work. They know they will suffer consequences if they do a poor job, either in terms of job loss or job safety. They understand and are allowed to employ personal responsibility.
In the "knowledge" work that so much of the country does, the culture is nothing like the "dirty jobs" culture. And the people who work under the micromanaging egomaniacs suffer mightily for it. What do they produce? Not much. Who takes credit? Not them. Where is the satisfaction? Missing, it appears.
As a freelancer, I do "knowledge" work, but on my own terms. This makes my risks and rewards that much greater. And trust me, it is certainly not easier. But it is more satisfying, and I know that the more I put into it, the more I'll get out of it. Not so at any of my old jobs. One of my mantras is "The worst day working for myself is still better than the best day working for someone else."
One other point: Mike Rowe, in his speech, says the worst advice given to young workers is to "Follow your passion." He then goes on to talk about guys who made a ton of money improving on an old business model, or finding some niche that no one else was filling, and going into that. And he says that they are extremely happy, even though what they are doing is not the stuff of dreams.
He says these people have found success and are extremely happy. I won't question that. But the reason, I think, Mike Rowe thinks "Follow your passion" is bad advice is because we so often confuse passion with profession. Maybe your passion is singing or painting, but you can't make that your profession. I think the important thing is that whatever you're doing is coming from someplace authentic. If you enjoy business or lawyering because you are good at it and you get a lot of satisfaction from it, nothing says you have to quit it all to be an artist or musician. It's just that you have to feel passionately about whatever it is you're doing. If you're not able to feel excited and compelled by your work, well, you won't be happy. Furthermore, if your passion is something that doesn't earn money, "Follow your passion" doesn't mean you have to earn money. It means you can do that thing whenever you can, even if you have to do another kind of work for money.
Of course, hopefully whatever work you are engaged in for your living, it should be one that gives you the autonomy and responsibility and satisfaction that is the heart and soul of a good job, of good work.
P.S. As a refresher, here is a post discussing my idea of what makes work good: "It's Not You, It's Me."
First of all, I couldn't agree more with his assertion that in our culture, generally speaking, work--real, hard work--is denigrated. As he says, it's explicit and implicit: in the way we're taught to think about work, the way advertising is always promising us ways to escape from work, and the get-rich quick mentality that infects the culture from the top to the bottom.
However, I think that it's not entirely fair to blame workers for feeling this way. Much of the time, workers come to a job ready to do their best, work their asses off, and feel the satisfaction of a job well done, whatever the job. However, where things go awry is when the worker is not allowed to do his job. I suppose it's true that there's some number of people who can't be trusted, but rather than micromanaging them, I say, fire them. They'll figure it out faster that way. And besides, the vast majority of people want to do a good job, and want to work hard. So there are a few bad apples? Why make life miserable for everyone else?
And yet, this is what happens. And so good, hard-working people find themselves in jobs that are controlled from three management levels above them, by people who have no inkling of what the details of the job really are.
Much like Mike Rowe's anecdote about the animal rights people in an office somewhere dictating how a lamb should be castrated.
That's why I think Mike Rowe has found that the people who do the dirty jobs are generally the happiest. They are generally allowed to do their jobs without a lot of interference or second-guessing. They are trusted to do their work. They know they will suffer consequences if they do a poor job, either in terms of job loss or job safety. They understand and are allowed to employ personal responsibility.
In the "knowledge" work that so much of the country does, the culture is nothing like the "dirty jobs" culture. And the people who work under the micromanaging egomaniacs suffer mightily for it. What do they produce? Not much. Who takes credit? Not them. Where is the satisfaction? Missing, it appears.
As a freelancer, I do "knowledge" work, but on my own terms. This makes my risks and rewards that much greater. And trust me, it is certainly not easier. But it is more satisfying, and I know that the more I put into it, the more I'll get out of it. Not so at any of my old jobs. One of my mantras is "The worst day working for myself is still better than the best day working for someone else."
One other point: Mike Rowe, in his speech, says the worst advice given to young workers is to "Follow your passion." He then goes on to talk about guys who made a ton of money improving on an old business model, or finding some niche that no one else was filling, and going into that. And he says that they are extremely happy, even though what they are doing is not the stuff of dreams.
He says these people have found success and are extremely happy. I won't question that. But the reason, I think, Mike Rowe thinks "Follow your passion" is bad advice is because we so often confuse passion with profession. Maybe your passion is singing or painting, but you can't make that your profession. I think the important thing is that whatever you're doing is coming from someplace authentic. If you enjoy business or lawyering because you are good at it and you get a lot of satisfaction from it, nothing says you have to quit it all to be an artist or musician. It's just that you have to feel passionately about whatever it is you're doing. If you're not able to feel excited and compelled by your work, well, you won't be happy. Furthermore, if your passion is something that doesn't earn money, "Follow your passion" doesn't mean you have to earn money. It means you can do that thing whenever you can, even if you have to do another kind of work for money.
Of course, hopefully whatever work you are engaged in for your living, it should be one that gives you the autonomy and responsibility and satisfaction that is the heart and soul of a good job, of good work.
P.S. As a refresher, here is a post discussing my idea of what makes work good: "It's Not You, It's Me."
Wednesday, September 16, 2009
A Thought-Provoking Video: Mike Rowe on TED
Mike Rowe, host of the Discovery Channel's peerless "Dirty Jobs" series, gives a talk about passion, the nature of work, and where we're headed as a society with regard to the work we do.
I know this video has me thinking about things, and I'll post a response to it in the next day or so.
I know this video has me thinking about things, and I'll post a response to it in the next day or so.
Tuesday, September 15, 2009
How to Make A Decision, Period
The most frequently visited page to this site, by a large margin, is to the post titled "How to Make a Big Decision."
In that post, I dispensed some advice, based on my own experience, on how to use your imagination, reason and emotions to pick the correct path when faced with a difficult choice.
Recently, I realized that there's a different kind of decision-making process to take into consideration. This realization came after talking to a friend who is in a hell of her own making, but not because she can't make a decision. Indeed, she's made many, many decisions. Many of them even appear to be wise, good decisions, that should help her travel a successful and happy life path.
But, nope. So what's the trouble then?
I think it boils down to a lack of commitment. For various and sundry reasons, she can't get behind the decisions she makes. There's no conviction, no faith, no whole-heartedness.
In fact, that lack of heart is the crux of the problem. The reasons the decisions look good from the outside, and indeed, might be great decisions for any other person is that they make intellectual sense.
Indeed, many of our decisions start out, and even rely on, the rational faculty. A cost-benefit analysis. A list of pros and cons. For the extremely rational, the geeky and analytical, a post like this can certainly help. But creating a "grid analysis of multiple criteria" or "calculating the expected value of every outcome" can only get you so far. It's true that you can base a big decision on this kind of analysis, but beware: You might end up like my friend.
You may know someone like this. He or she makes a decision. To take a new job, let's say. And it looks, on paper, to be the right thing. The pay is better. It's in a nicer city. It has a clearer avenue for advancement.
But if this person does not choose--mind and heart--to be there, to really inhabit that decision, the chances are good that the decision will only lead to later paralysis and despair.
You might think, given this, that to really commit to a big decision that you'd have to be 100 percent sure, or at least more than 90 percent certain. Ironically, I don't think certainty plays into whether a decision will stick or not.
As with so many of the most important things about this human existence, making a decision that works comes down to faith.
So many people, it seems to me, lack this ability. And I'm not talking about the ability to believe in a higher power, either. I mean the ability to put aside hesitancy and simply leap. To believe whole-heartedly that this is your path that you've chosen and you're gonna stick with it.
So what stops people from doing this? I suppose a lot of it is fear, but to a larger extent, I think it really reflects a lack of practice. Somewhere along the way we have learned to trust others to make decisions for us--parents, teachers, government, authorities--and so we've lost the ability to trust ourselves to do this kind of leaping.
Just as in art-making, the more you get comfortable with the unknown, with the uncertainty of it all, the more you can make your way based on your inner compass. Your true self and your decisions begin to align. Your decisions, even when made with uncertainty, are based in something authentic. You are not inhabiting a false self, living a false life for others. Instead, you are choosing a path that is yours, one entirely of your own making.
In that post, I dispensed some advice, based on my own experience, on how to use your imagination, reason and emotions to pick the correct path when faced with a difficult choice.
Recently, I realized that there's a different kind of decision-making process to take into consideration. This realization came after talking to a friend who is in a hell of her own making, but not because she can't make a decision. Indeed, she's made many, many decisions. Many of them even appear to be wise, good decisions, that should help her travel a successful and happy life path.
But, nope. So what's the trouble then?
I think it boils down to a lack of commitment. For various and sundry reasons, she can't get behind the decisions she makes. There's no conviction, no faith, no whole-heartedness.
In fact, that lack of heart is the crux of the problem. The reasons the decisions look good from the outside, and indeed, might be great decisions for any other person is that they make intellectual sense.
Indeed, many of our decisions start out, and even rely on, the rational faculty. A cost-benefit analysis. A list of pros and cons. For the extremely rational, the geeky and analytical, a post like this can certainly help. But creating a "grid analysis of multiple criteria" or "calculating the expected value of every outcome" can only get you so far. It's true that you can base a big decision on this kind of analysis, but beware: You might end up like my friend.
You may know someone like this. He or she makes a decision. To take a new job, let's say. And it looks, on paper, to be the right thing. The pay is better. It's in a nicer city. It has a clearer avenue for advancement.
But if this person does not choose--mind and heart--to be there, to really inhabit that decision, the chances are good that the decision will only lead to later paralysis and despair.
You might think, given this, that to really commit to a big decision that you'd have to be 100 percent sure, or at least more than 90 percent certain. Ironically, I don't think certainty plays into whether a decision will stick or not.
As with so many of the most important things about this human existence, making a decision that works comes down to faith.
So many people, it seems to me, lack this ability. And I'm not talking about the ability to believe in a higher power, either. I mean the ability to put aside hesitancy and simply leap. To believe whole-heartedly that this is your path that you've chosen and you're gonna stick with it.
So what stops people from doing this? I suppose a lot of it is fear, but to a larger extent, I think it really reflects a lack of practice. Somewhere along the way we have learned to trust others to make decisions for us--parents, teachers, government, authorities--and so we've lost the ability to trust ourselves to do this kind of leaping.
Just as in art-making, the more you get comfortable with the unknown, with the uncertainty of it all, the more you can make your way based on your inner compass. Your true self and your decisions begin to align. Your decisions, even when made with uncertainty, are based in something authentic. You are not inhabiting a false self, living a false life for others. Instead, you are choosing a path that is yours, one entirely of your own making.
Wednesday, September 2, 2009
Be Thankful for Your Limitations
First, a bit of good news re: my last post. I have been stretching my writing muscles, writing a new bit of creative writing every day. Right now it only amounts to exercises of about 250 words, but just as you can't run a marathon without training...well, let's just say I'm dusting off some cobwebs through this practice, getting ready for longer sessions. Still, even this feels so good.
Which brings me to today's thoughts on limitations. One of the ways I'm getting back to writing is through predetermined prompts, not of my own making. For example, tonight's exercise was this: "Describe a landscape as seen by a bird. Do not mention the bird."
Most of the time, we think of limitations as obstacles. As in, "If only I didn't have to go to work, I'd get this done," or, "If I had X amount of dollars, I'd be able to accomplish X." (I think that most people's major limitation gripes have to do with time or money, but of course, it could be something like, "If I had a smaller nose, more men would like me," or some such thing.)
While it's true that limitations narrow the range of possibilities for certain things in your life, it would by no means be utopia to have no limitations whatsoever. If you had endless time, you could get a lot done, but would you be motivated to? If you had a mountain of cash, you could buy whatever you wanted, but once you did, then what? Where would value come from?
We are accustomed to looking at our world in a very dichotomous way: black or white, love or hate, good or evil, rich or poor. We are, for the most part, always thinking in opposition, looking at one aspect or the other, but not able to hold the possibility for greater complexity in our minds.
But I submit that you could take even the most terrible seeming limitation and wring something out of it that you could argue is an opportunity. If you have an hour to yourself, and that's it, the opportunity to make that hour really count appears. If you don't have a lot of money, but want to achieve something, you must apply creativity to figure out how to do it anyway.
Will limitations make life less convenient for you? Probably. Might there be additional frustration? Likely so. But if struggle and frustration and limitation were the end of the line, would so many be attracted to life in New York City, or to art careers or to parenthood?
I believe we each have an inherent knowing (not always acknowledged) that we can thrive under limitation, and that in fact, we may even thrive because of limitation. My writing exercises impose limits, but they also get me to be more creative than I might be just staring at a blank page and asking, "Now what?" I am forced to find a good work-around to get started and keep going.
What I'd like you to do today is list your limitations. All the ones you can think of. Then, next to that list, I want you to list how each of those limitations could present an opportunity for greater creativity, motivation or achievement.
Hold the possibility in your mind that your limitations--whatever they may be--may in fact be your greatest assets in your quest to live a fuller, more blissful life.
Which brings me to today's thoughts on limitations. One of the ways I'm getting back to writing is through predetermined prompts, not of my own making. For example, tonight's exercise was this: "Describe a landscape as seen by a bird. Do not mention the bird."
Most of the time, we think of limitations as obstacles. As in, "If only I didn't have to go to work, I'd get this done," or, "If I had X amount of dollars, I'd be able to accomplish X." (I think that most people's major limitation gripes have to do with time or money, but of course, it could be something like, "If I had a smaller nose, more men would like me," or some such thing.)
While it's true that limitations narrow the range of possibilities for certain things in your life, it would by no means be utopia to have no limitations whatsoever. If you had endless time, you could get a lot done, but would you be motivated to? If you had a mountain of cash, you could buy whatever you wanted, but once you did, then what? Where would value come from?
We are accustomed to looking at our world in a very dichotomous way: black or white, love or hate, good or evil, rich or poor. We are, for the most part, always thinking in opposition, looking at one aspect or the other, but not able to hold the possibility for greater complexity in our minds.
But I submit that you could take even the most terrible seeming limitation and wring something out of it that you could argue is an opportunity. If you have an hour to yourself, and that's it, the opportunity to make that hour really count appears. If you don't have a lot of money, but want to achieve something, you must apply creativity to figure out how to do it anyway.
Will limitations make life less convenient for you? Probably. Might there be additional frustration? Likely so. But if struggle and frustration and limitation were the end of the line, would so many be attracted to life in New York City, or to art careers or to parenthood?
I believe we each have an inherent knowing (not always acknowledged) that we can thrive under limitation, and that in fact, we may even thrive because of limitation. My writing exercises impose limits, but they also get me to be more creative than I might be just staring at a blank page and asking, "Now what?" I am forced to find a good work-around to get started and keep going.
What I'd like you to do today is list your limitations. All the ones you can think of. Then, next to that list, I want you to list how each of those limitations could present an opportunity for greater creativity, motivation or achievement.
Hold the possibility in your mind that your limitations--whatever they may be--may in fact be your greatest assets in your quest to live a fuller, more blissful life.
Labels:
focus,
inspiration,
productivity
Tuesday, August 25, 2009
Why I Stopped Following My Bliss, and What I'm Doing About It
Today, this post is all about me. I hope you'll forgive me, and indulge me. If not, that's okay, too.
One of the reasons I started this blog, and wanted to think about what it takes to follow one's bliss is because I was fairly certain I'd found something worth pursuing. For me, that something was writing, and especially creative writing. Because I'm so verbally wired, and because I love reading and because I love the way both writing and reading make me feel, I determined pretty early on that I wanted to be a Writer.
For a long time, I wasn't sure how anyone really did that. I stumbled around, writing bad poetry, taking classes that had the words "creative" and "writing" in the title, and spending time at night and on weekends doing something that seemed to be natural for me. Putting words down on paper.
I started to think that maybe there was something more formal one could do to achieve this goal of being a Writer. I had a friend who wrote, and who talked to me about writing, and one day he unveiled an entire pathway I didn't know existed: He said he was going to get his MFA. I didn't even really know that you could go back to school for writing, so this was tantalizing. Then, he got in. To the Iowa Writer's Workshop, which is only the most famous MFA program of them all. (I went from not knowing about MFA programs to quickly understanding where they all ranked. How American of me, right?)
Well, after this, I had a new bug up my butt. I too, was going to go get my MFA in writing. I was working at a miserable job, where I slaughtered language for political purposes, doing so for humorless ogres that looked like this. I had to get out, and that was that.
So off I went, into the application process--which is not easy, I'll tell you that--burning with the desire to get minted into a Writer. Eventually, I got a few acceptances, and even some generous offers of funding and teaching, and settled on the University of Arizona.
The next two years were a blur. I moved to Tucson, sacrificing proximity to my boyfriend (now husband) because he couldn't find work in Tucson and I desperately needed to be a real Writer. I gave up a lot, is the point, to do this.
My experience is probably pretty typical. I breezed in, thinking, Hey, I must be pretty good at this writing thing if they let me in and gave me money and a teaching job! Of course, I quickly realized that what they let me in for was based more on potential than on actual skill. This caused some major paralysis, but I got over it once I remembered that I was there to learn, not to just show them all how great I already was.
Incidentally, Tucson is the place where I began seriously understanding and contemplating what ego is, and how it can make us so crazy.
Eventually, after some very, very tough semesters, I came to the end. People began to say things in workshop that were very, very encouraging. Accomplished writers and professors were admiring my work, telling me how much I'd grown, how things I was writing were close to publication. Then, that last semester, I got my first story accepted at a journal. I felt like a Writer.
But after graduation, things slowed with my writing, and I got discouraged. No matter how many revisions I made to these stories, I couldn't seem to get another one accepted. No matter how hard I tried to understand what was missing, I couldn't. I got rejected a lot, and the worst part was I had to wait months and months to get rejected. It was agony.
In the meantime, good things were happening in my personal life. I was getting married. We'd bought a house. I had friends and a comfortable job with a nice salary. It became harder and harder to tear myself away from these things, with all their attendant positive feedback, to do something all by myself that no one much cared to see.
Also, by then, it was becoming obvious that the entire publishing complex was undergoing an earthquake, and there were fewer and fewer print venues with each passing day.
I thought, I'll just put my writing aside for a little while. That was in 2006.
And I've been telling myself that ever since. While there have been some bursts of activity, it's time to face facts: I quit.
I never said so formally, announcing it. But that's what I did. I closed the door, unofficially but definitively, on my creative writing efforts. I stopped trying to be a Writer, or a writer.
I'm here, telling you this story today to tell you that I'm recognizing that I'm unhappy about this. I'm facing it. I've been lying to myself and others so long, pretending that there were *reasons* I wasn't writing. Too much going on in my life, or a fear of the post-print media landscape or a million other things that seem perfectly plausible.
While plausible, making art, writing creatively, doesn't arise out of reason, doesn't depend on circumstances. And I, of all people, should know that. But I've been afraid. I think I've mainly been afraid of the enormous effort that writing every day requires, especially as it means I must give up time for things and people I enjoy. The sacrifice, again, for something no one seems much interested in.
But, I found a quote by Stephen DeStaebler yesterday in David Bayles' and Ted Orland's book, "Art & Fear," that sums up the situation: "Artists don't get down to work until the pain of working is exceeded by the pain of not working."
And I have to say, the pain right now is pretty intense. How often I wish I could let it go, say goodbye to this urge to write! But I'm at the point where I feel like a teenage boy who's been trying for total celibacy, without even the relief of his right hand! A too-graphic image? Perhaps, but we all know what happens, and the point is, it makes a mess of things. My urge to write and create and use words in artistic and interesting ways is nearly as strong an instinct as the sexual one, or the will to survive. I don't know how to explain that from an evolutionary perspective, but all I can tell you is that it's true, and real. If I suppress this instinct for too long, it begins to manifest itself, to surface, and in ways that are not healthy or productive. I get moody. I cry a lot. I feel emotions I don't usually feel: anger, resentment, jealousy, despair.
I don't want to be someone who used to write. I don't want to have quit. But at this moment, I am, and I did. Fortunately for me (and for the people who love me and enjoy my sanity), there is nothing in the world that says I can't start again.
My motivations will be different now, I think, as will my goals. But I will be writing creatively again. I may even share some of it here. If you don't care to read it, that's fine, just don't tell me. Let me put it into the world somewhere, okay? It's so hard to leave it always in the dark. If you don't like it, or don't want it, just skip it. There will be other stuff for you to read, I promise.
And for anyone who's gotten this far, I want to tell you that you and I could be good friends, if we're not already. I appreciate you sticking with me, and hey, maybe you're in the same boat. Maybe reading this will get you to figure some things out about the creative parts of your life. I hope so.
One thing I do know: My efforts from this point forward will be dedicated to my husband. Because for all I've put him through in this writing journey, he has never once--not once!--wavered in his dedication to me and his belief in my work. So thank you for that, pickles. I love you.
One of the reasons I started this blog, and wanted to think about what it takes to follow one's bliss is because I was fairly certain I'd found something worth pursuing. For me, that something was writing, and especially creative writing. Because I'm so verbally wired, and because I love reading and because I love the way both writing and reading make me feel, I determined pretty early on that I wanted to be a Writer.
For a long time, I wasn't sure how anyone really did that. I stumbled around, writing bad poetry, taking classes that had the words "creative" and "writing" in the title, and spending time at night and on weekends doing something that seemed to be natural for me. Putting words down on paper.
I started to think that maybe there was something more formal one could do to achieve this goal of being a Writer. I had a friend who wrote, and who talked to me about writing, and one day he unveiled an entire pathway I didn't know existed: He said he was going to get his MFA. I didn't even really know that you could go back to school for writing, so this was tantalizing. Then, he got in. To the Iowa Writer's Workshop, which is only the most famous MFA program of them all. (I went from not knowing about MFA programs to quickly understanding where they all ranked. How American of me, right?)
Well, after this, I had a new bug up my butt. I too, was going to go get my MFA in writing. I was working at a miserable job, where I slaughtered language for political purposes, doing so for humorless ogres that looked like this. I had to get out, and that was that.
So off I went, into the application process--which is not easy, I'll tell you that--burning with the desire to get minted into a Writer. Eventually, I got a few acceptances, and even some generous offers of funding and teaching, and settled on the University of Arizona.
The next two years were a blur. I moved to Tucson, sacrificing proximity to my boyfriend (now husband) because he couldn't find work in Tucson and I desperately needed to be a real Writer. I gave up a lot, is the point, to do this.
My experience is probably pretty typical. I breezed in, thinking, Hey, I must be pretty good at this writing thing if they let me in and gave me money and a teaching job! Of course, I quickly realized that what they let me in for was based more on potential than on actual skill. This caused some major paralysis, but I got over it once I remembered that I was there to learn, not to just show them all how great I already was.
Incidentally, Tucson is the place where I began seriously understanding and contemplating what ego is, and how it can make us so crazy.
Eventually, after some very, very tough semesters, I came to the end. People began to say things in workshop that were very, very encouraging. Accomplished writers and professors were admiring my work, telling me how much I'd grown, how things I was writing were close to publication. Then, that last semester, I got my first story accepted at a journal. I felt like a Writer.
But after graduation, things slowed with my writing, and I got discouraged. No matter how many revisions I made to these stories, I couldn't seem to get another one accepted. No matter how hard I tried to understand what was missing, I couldn't. I got rejected a lot, and the worst part was I had to wait months and months to get rejected. It was agony.
In the meantime, good things were happening in my personal life. I was getting married. We'd bought a house. I had friends and a comfortable job with a nice salary. It became harder and harder to tear myself away from these things, with all their attendant positive feedback, to do something all by myself that no one much cared to see.
Also, by then, it was becoming obvious that the entire publishing complex was undergoing an earthquake, and there were fewer and fewer print venues with each passing day.
I thought, I'll just put my writing aside for a little while. That was in 2006.
And I've been telling myself that ever since. While there have been some bursts of activity, it's time to face facts: I quit.
I never said so formally, announcing it. But that's what I did. I closed the door, unofficially but definitively, on my creative writing efforts. I stopped trying to be a Writer, or a writer.
I'm here, telling you this story today to tell you that I'm recognizing that I'm unhappy about this. I'm facing it. I've been lying to myself and others so long, pretending that there were *reasons* I wasn't writing. Too much going on in my life, or a fear of the post-print media landscape or a million other things that seem perfectly plausible.
While plausible, making art, writing creatively, doesn't arise out of reason, doesn't depend on circumstances. And I, of all people, should know that. But I've been afraid. I think I've mainly been afraid of the enormous effort that writing every day requires, especially as it means I must give up time for things and people I enjoy. The sacrifice, again, for something no one seems much interested in.
But, I found a quote by Stephen DeStaebler yesterday in David Bayles' and Ted Orland's book, "Art & Fear," that sums up the situation: "Artists don't get down to work until the pain of working is exceeded by the pain of not working."
And I have to say, the pain right now is pretty intense. How often I wish I could let it go, say goodbye to this urge to write! But I'm at the point where I feel like a teenage boy who's been trying for total celibacy, without even the relief of his right hand! A too-graphic image? Perhaps, but we all know what happens, and the point is, it makes a mess of things. My urge to write and create and use words in artistic and interesting ways is nearly as strong an instinct as the sexual one, or the will to survive. I don't know how to explain that from an evolutionary perspective, but all I can tell you is that it's true, and real. If I suppress this instinct for too long, it begins to manifest itself, to surface, and in ways that are not healthy or productive. I get moody. I cry a lot. I feel emotions I don't usually feel: anger, resentment, jealousy, despair.
I don't want to be someone who used to write. I don't want to have quit. But at this moment, I am, and I did. Fortunately for me (and for the people who love me and enjoy my sanity), there is nothing in the world that says I can't start again.
My motivations will be different now, I think, as will my goals. But I will be writing creatively again. I may even share some of it here. If you don't care to read it, that's fine, just don't tell me. Let me put it into the world somewhere, okay? It's so hard to leave it always in the dark. If you don't like it, or don't want it, just skip it. There will be other stuff for you to read, I promise.
And for anyone who's gotten this far, I want to tell you that you and I could be good friends, if we're not already. I appreciate you sticking with me, and hey, maybe you're in the same boat. Maybe reading this will get you to figure some things out about the creative parts of your life. I hope so.
One thing I do know: My efforts from this point forward will be dedicated to my husband. Because for all I've put him through in this writing journey, he has never once--not once!--wavered in his dedication to me and his belief in my work. So thank you for that, pickles. I love you.
Monday, August 10, 2009
How to Be More Productive
If you spend any amount of time on the interwebs, as I do, you will stumble across countless blogs and articles promising new ways to be more productive and efficient. Mostly, these have to do with finding out how to get more done in a day, be it through better organization of lists, or syncing of desktop with mobile devices, or keeping a daily time log. Actually, all of these things are great ideas, and I think these are resources to investigate.
But today, I want to think about productivity and efficiency in a slightly different way. I began thinking about what it means to be "efficient" when I pulled that word out of a bowl at my yoga class. My teacher had placed little "angel cards" into the bowl, each with a word on it, like "love" or "harmony" or "clarity." The idea was that you would use that word as the inspiration for your practice--your intention. I drew "efficiency," and had to smile. Of all the things to strive for in a yoga class!
I didn't think getting more done was really possible in yoga, so I looked at other interpretations. I recognized that one aspect of efficiency has to do with minimizing wasted effort. So, instead of using a lot of extra movements to transition from one pose to the next, one could try to be as streamlined and graceful and efficient as possible. No wasted effort.
What I found in trying to do this was that in order to move fluidly, and with intention, that I had to be extremely focused. I couldn't let my mind wander at all, or inevitably, I'd move more than was really necessary. I'd step out before stepping in. I'd scratch my nose on the way.
What I think I discovered was how important--how incredibly essential--focus is when it comes to productivity. Not just because you don't waste effort and therefore have more time and energy, but also because you don't produce something of poor quality.
After all, what's the point of being productive if all you're producing is crap?
So, how to be more productive in this way?
But today, I want to think about productivity and efficiency in a slightly different way. I began thinking about what it means to be "efficient" when I pulled that word out of a bowl at my yoga class. My teacher had placed little "angel cards" into the bowl, each with a word on it, like "love" or "harmony" or "clarity." The idea was that you would use that word as the inspiration for your practice--your intention. I drew "efficiency," and had to smile. Of all the things to strive for in a yoga class!
I didn't think getting more done was really possible in yoga, so I looked at other interpretations. I recognized that one aspect of efficiency has to do with minimizing wasted effort. So, instead of using a lot of extra movements to transition from one pose to the next, one could try to be as streamlined and graceful and efficient as possible. No wasted effort.
What I found in trying to do this was that in order to move fluidly, and with intention, that I had to be extremely focused. I couldn't let my mind wander at all, or inevitably, I'd move more than was really necessary. I'd step out before stepping in. I'd scratch my nose on the way.
What I think I discovered was how important--how incredibly essential--focus is when it comes to productivity. Not just because you don't waste effort and therefore have more time and energy, but also because you don't produce something of poor quality.
After all, what's the point of being productive if all you're producing is crap?
So, how to be more productive in this way?
- Before you begin your day, write down what you intend to accomplish. Think of intention as the gentle reminders your GPS lady gives you as you proceed on a planned route.
- Before you set out to start your planned activities, make sure you close your eyes and breathe deeply, if only for a minute or two. Beginning your day's journey on calm seas will make you far more likely to meet with success than throwing yourself out there in rough waters.
- Once you are on your way, you will inevitably drift off course. But as it is with meditation, so it is with staying focused and productive. If an unwanted thought comes up in meditation, rather than worrying about it, you visualize it as a cloud, simply drifting by. You do not judge it, or get attached to it, but rather, you just let it go. Same with work. You begin to read something you hadn't intended, or you find yourself on a phone call you didn't want to be on, and as soon as you realize it, don't fret, but let it go. Stop reading, and return to your task. Tell the person you've enjoyed talking, but it's time to get back to work. Don't feel bad, just move on.
- What happens if you meet with a roadblock that prevents you from completing one of your tasks? Don't let it throw you off course. Decide how important it is. Do you need to complete it today? Or can you return to it tomorrow? Assess this calmly, and then you will know how to proceed. After all, life requires adaptability, but this doesn't mean you have to lose focus. You can simply reroute around the trouble and calmly proceed.
- Remember, it isn't about quantity. It's about quality. Don't expend energy on useless or worthless efforts. Don't let anyone else convince you to, either. It's your life, your career, your home.
Thursday, July 23, 2009
"Happiness is not pleasure..."
Another wonderful piece in the New York Times today by Pico Iyer. (See this previous post for the last one.)
It's a look at the Dalai Lama, and his practical approach to achieving true happiness. I really appreciated this, especially since I hope to emphasize the practical in this blog. I know that I often deviate, and get going on the big ideas--because they excite me--but I am heartened to know that the advice I give about shifting attitudes and practicing new ways of perceiving the world is the kind of practical advice that the Dalai Lama would likely approve.
An excerpt:
Another excerpt:
He went on: "Likely, this is not the worst pain you'll ever feel. Likely, at some point in your life, you will hurt much worse. How will you react?" His words rang true for me, especially now, as I approach childbirth. So, I stuck it out, figuring if I buckled from a tired quadricep, I'd never survive giving birth! What was interesting is that, like the above excerpt, I shifted my position toward the pain, and gained a great deal of mental (and physical) stamina and strength. And you know what? Once I did, the burn became more a curiosity, something to withstand and investigate, and less a source of suffering. I guess my point is, you can choose your pose toward suffering, and suffer less.
I think you'll enjoy Iyer's essay. Read the entire piece here.
It's a look at the Dalai Lama, and his practical approach to achieving true happiness. I really appreciated this, especially since I hope to emphasize the practical in this blog. I know that I often deviate, and get going on the big ideas--because they excite me--but I am heartened to know that the advice I give about shifting attitudes and practicing new ways of perceiving the world is the kind of practical advice that the Dalai Lama would likely approve.
An excerpt:
The Dalai Lama I’ve seen is a realist (which is what makes his optimism the more impressive and persuasive). And he’s as practical as the man he calls his “boss.”I hope that the many posts I've offered here have helped to identify, analyze and isolate those arrows that cause suffering, and have inspired others to do what they can to pull them out. I love that the philosophy articulated above does not shun intellectual effort (such as analysis), nor is it passive, awaiting the intervention of some remote deity. I've always preferred prayer for guidance, rather than intervention, and the saying "God helps those who help themselves" to "Dear God, please help me."
The Buddha generally presented himself as more physician than metaphysician: if an arrow is sticking out of your side, he famously said, don’t argue about where it came from or who made it; just pull it out. You make your way to happiness not by fretting about it or trafficking in New Age affirmations, but simply by finding the cause of your suffering, and then attending to it, as any doctor (of mind or body) might do.
Another excerpt:
I’ve been spending time for 18 years in a Benedictine monastery, and the monks I know there have likewise found out how to be delighted by the smallest birthday cake. Happiness is not pleasure, they know, and unhappiness, as the Buddhists say, is not the same as suffering. Suffering — in the sense of old age, sickness and death — is the law of life; unhappiness is just the position we choose — or can not choose — to bring to it.Just last week, my yoga teacher demonstrated this approach. We were in Warrior II, and he had us hold the pose for quite a while. Eventually, a fire starts in the muscles. "Likely you're feeling a burn," he said. "But instead of popping out of it, what if you hold it, stay there, exploring that sensation? What if you look at it not as pain, but as a purifying effort?" I desperately wanted to release the pose, but considered if I could withstand the effort and do as he asked.
He went on: "Likely, this is not the worst pain you'll ever feel. Likely, at some point in your life, you will hurt much worse. How will you react?" His words rang true for me, especially now, as I approach childbirth. So, I stuck it out, figuring if I buckled from a tired quadricep, I'd never survive giving birth! What was interesting is that, like the above excerpt, I shifted my position toward the pain, and gained a great deal of mental (and physical) stamina and strength. And you know what? Once I did, the burn became more a curiosity, something to withstand and investigate, and less a source of suffering. I guess my point is, you can choose your pose toward suffering, and suffer less.
I think you'll enjoy Iyer's essay. Read the entire piece here.
Labels:
faith,
happiness,
inspiration,
misc,
tips
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